After reading some reviews for the new installment in the Ocean’s franchise, I was worried that this highly anticipated film would be another case of Ghostbusters (2016), a film that tries to emulate the original and fails horribly, dragging the gender-swapped female cast down along with it.
After seeing Ocean’s Eight (2018), I am convinced that too many reviewers focus on the cast being all female, as opposed to the original all male case in the Steven Soderbergh directed movies. Gary Ross takes on the role of director for the 2018 installment, and his style of directing brings a different dynamic to the films.
The Soderbergh directed Ocean’s films all follow a pattern: lovable rogue Danny Ocean assembles a team of talented misfits and relieves an unlikable antagonist of their most prized possession. Ocean’s Eight follows much the same premise.
Debbie Oceans (Sandra Bullock) has just been released from jail after serving five years after a con went wrong. Her then boyfriend Claude Becker (Richard Armitage) handed her over to the police to secure his own freedom.
Out of jail, Debbie contacts her long time partner in crime Lou (Cate Blanchett) and the pair find a bunch of A to Z list celebrities to abet them in their goal of stealing a £150,000,000 Cartier necklace from around Daphne Kluger’s (Anne Hathaway’s) neck at a gala. This is where the similarities to the Soderbergh directed films end.
Blanchett is not used to her full potential. The audience (and critics alike) are disappointed as an actress whose repertoire ranges from Elizabeth 1st to Bob Dylan functions mainly as a plot device. She gives Debbie a place to live, she warns Debbie that her desire for revenge against Becker will lead her right back to prison. It seems that Ross’ chief focus for Lou is to wear gregarious clothing.
Bullock plays the cool and collected Ocean masterfully, and when she tells Lou that she is not going back to prison the audience is sure she has a trick up her sleeve.
Many of the star cast did not get enough screen time. All of the individual characters come across as almost fully formed people in their own right. The time constraint means that the audience is left wanting more. Nine Ball (Rihanna) is seen furiously tapping away at her keyboard, but not much else.
Amita’s (Mindy Kaling’s) relationship with her mother is an interesting one, but the audience only ever sees this dynamic as a motivation for Amita to become a criminal. Tammy (Sarah Paulson) portrays herself as the clean-cut mother, but her shed stocked full of stolen goods says otherwise. Snippets of personalities are typical of the Ocean’s franchise, and are perhaps representative of a world where people work together for a month to make a quick buck.
And of course there are moments where the audience has to suspend their disbelief. Why would eight women, some of them entirely straight-laced, agree to steal a necklace worth £150,000,000? Why does Cartier agree to loan the necklace to Kluger for a gala event? Why does the fraud investigator in charge of finding the stolen necklace (James Corden) meet with Debbie and agree to frame Becker?
All in all, Ocean’s Eight stays true to the Ocean’s franchise. In typical Ocean fashion Debbie outsmarts her ex-boyfriend, steals the jewels, and splits the money between her partners.
Being a criminal has never looked so good.